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Photo: Mark Steinmetz |
Went to the Leica Gallery in San Francisco for the opening of Summertime // Love by Mark Steinmetz, who is probably the world's greatest B&W photographer currently alive and regularly working (gladly consider options). Frankly, he's not the greatest speaker, and I really don't give two shits- when your photos do the talking, you can be as low energy as ya want. Some of his prints were definitely on the soft side,* something that I hadn't particularly noticed in his books, of which there was also a nice collection of at the gallery. Each is a master class in how to do justice to whatever subject covered: from Chicago to airports to... the one I was particularly impressed with- Summer Camp. I would have to be forcibly assigned to cover such a topic, and then only after rolling my eyes, throwing up my hands and being threatened with the death of my loved ones- BORING!!! And yet, there they were, page after page, photo after photo of incredible, revelatory images... Remarkable! So really, who cares if the guy is low key!
Finally, while the staff at the Leica Gallery here in SF are refreshingly non-stuck up, it's still so near absolute ludicrous just how many people attending the opening were sporting their brand new Leicas (look-a-me, look-a-me!)- and then actually pointing them at fellow attendees as if they're gonna get the Leica portrait award of the year for their dedication to brand loyalty right there and then... and it's always guys! Give-it-up!!!
*One of the reasons I always found B&W printing so hard was because I like a certain amount of contrast, printing is waaay easier when you print towards the soft side. It's when the contrast finally kicks in that everything begins to border on unmanageable (highlights and shadows with little to no detail that one has to compensate for)- that's when the real problems start. I remember seeing B&W drug store prints as a child and thinking B&W is so cheap looking- because they were so grey and mushy. Wasn't until I saw actual blacks in B&W did I realize it's inherent power, potential and beauty. Grey and white just don't cut it...
After a decade of shooting exclusively in color, B&W almost seems abstract to me now- not that I don't love it any less so. Just still having too much fun shooting color after decades of B&W...