Friday, August 18, 2017

Wind River



Quite simply, Wind river is one of the better movies I've seen in some while. Jeremy Renner excels when playing the reserved and introspective protagonist who rises to the occasion, and here, he's most effectively set against the quite beauty and ever present danger of the wilds of Wyoming- in particular, in the territory of the the modern day res. And all these factors play major, contradictory roles as they compete for some manner of meaningful coexistence: the magnificence of the wild, versus the wild extremes of mankind. The story is straightforward enough- who killed the woman in the middle of nowhere? But solving the mystery unravels a whole world of hurt involving personal relationships and the age old rivalries between peoples, authorities, and the very land that sustains and threatens them all. 

The movie moves methodically as histories and boundaries are introduced and alluded to, a lingering threat always within reach, like the wild animals that still roam about. And just when one thinks they have the ebb and flow of the narrative figured... all hell breaks out in a shoot out that makes Reservoir Dogs look so utterly contrived, you're left wondering how such tranquil beauty can exist there at all!

Walking out, my wife turned to me and remarked how she's getting tired of having White men always save the day on screen, I remarked that at least in this one, their complicity was not... whitewashed. Or as Renner's character remarked, "Quiet and emptiness is all we've left them, and you even want to take that away."

The ending credits also alludes to the wave of disappeared and murdered Native American women that continues unabated throughout North America... 

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